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Adagio
Приєднався 28 лип 2010
"Music is a moral law. It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, and life to everything. It is the essence of order, and leads to all that is good, just and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form"
... so says Plato.
PLEASE NOTE: No Copyright infringement intended. All media in this video belongs to their respective artists/record label. I do not claim to own any of this media as my own. If you are the artist/record label and for any reason are offended by me posting any of their material or want me to delete this video, please send me a message and the video will be deleted immediately within 24 hours.
... so says Plato.
PLEASE NOTE: No Copyright infringement intended. All media in this video belongs to their respective artists/record label. I do not claim to own any of this media as my own. If you are the artist/record label and for any reason are offended by me posting any of their material or want me to delete this video, please send me a message and the video will be deleted immediately within 24 hours.
Schumann - "Träumerei" (Dreaming) | Kinderszenen Op.15, Scenes from Childhood | Lang Lang
Robert Schumann - "Träumerei" (Reverie) - Kinderszenen (Scenes from Childhood) for piano, Op. 15, 1838. Lang Lang, Piano Encore.
The 13 pieces that constitute Robert Schumann's Kinderszenen for piano (Scenes from Childhood), Op. 15 (1838) showcase their creator's musical imagination at the peak of its poetic clarity. As a result, the Kinderszenen have long been staples of the repertoire as utterly charming yet substantial miniatures, the sort of compact keyboard essays in which Schumann's genius found full expression. Kinderszenen was one of the projects Schumann worked on during the spring of 1838 to get through a difficult period of separation from his fiancée, Clara Wieck, who was on tour as a pianist and whose father objected to the idea of her marriage to the composer. In March of that year, Schumann wrote to Clara, "I have been waiting for your letter and have in the meantime filled several books with pieces.... You once said to me that I often seemed like a child, and I suddenly got inspired and knocked off around 30 quaint little pieces.... I selected several and titled them Kinderszenen. You will enjoy them, though you will need to forget that you are a virtuoso when you play them." The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g. Album for the Young, Op. 68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
The seventh Scene, "Träumerei" (Reverie), is easily the most famous piece in the set; its charming melody and quieting power have recommended it to generations of concert pianists who wish to calm audiences after a long series of rousing encores. The Kinderszenen contain many delicate musical touches
The 13 pieces that constitute Robert Schumann's Kinderszenen for piano (Scenes from Childhood), Op. 15 (1838) showcase their creator's musical imagination at the peak of its poetic clarity. As a result, the Kinderszenen have long been staples of the repertoire as utterly charming yet substantial miniatures, the sort of compact keyboard essays in which Schumann's genius found full expression. Kinderszenen was one of the projects Schumann worked on during the spring of 1838 to get through a difficult period of separation from his fiancée, Clara Wieck, who was on tour as a pianist and whose father objected to the idea of her marriage to the composer. In March of that year, Schumann wrote to Clara, "I have been waiting for your letter and have in the meantime filled several books with pieces.... You once said to me that I often seemed like a child, and I suddenly got inspired and knocked off around 30 quaint little pieces.... I selected several and titled them Kinderszenen. You will enjoy them, though you will need to forget that you are a virtuoso when you play them." The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann's collections of piano character pieces (e.g. Album for the Young, Op. 68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms.
The seventh Scene, "Träumerei" (Reverie), is easily the most famous piece in the set; its charming melody and quieting power have recommended it to generations of concert pianists who wish to calm audiences after a long series of rousing encores. The Kinderszenen contain many delicate musical touches
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Відео
![Tchaikovsky - Violin Concerto, Op. 35 | Paavo Järvi [HD]](http://i.ytimg.com/vi/hlq1GcHJz8k/mqdefault.jpg)
![Tchaikovsky - Violin Concerto, Op. 35 | Paavo Järvi [HD]](/img/tr.png)
Tchaikovsky - Violin Concerto, Op. 35 | Paavo Järvi [HD]
Переглядів 398 тис.9 років тому
Pyotr Il'yich Tchaikovsky - Violin Concerto in D major, Op. 35, 1878. Parts/Movements 00:00 I. Allegro moderato 19:27 II. Canzonetta. Andante 25:28 III. Finale. Allegro vivacissimo 38:46 Johann Sebastian Bach - III. Sarabande from the Partita for solo violin Nº 2 in D minor, BWV 1004 (Encore) Tchaikovsky composed this work in 1878. At Clarens, near Geneva, following both his mistake of a marria...
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Shostakovich - Symphony No. 5 | Orchestre de Paris, Paavo Järvi [HD]
Переглядів 218 тис.9 років тому
Dmitry Shostakovich - Symphony No. 5 in D minor, Op. 47 Orchestre de Paris, Paavo Järvi January 2015 Parts/Movements 00:00 I. Moderato 16:40 II. Allegretto (Scherzo) 22:30 III. Largo 37:41 IV. Allegro non troppo In 1936, the Soviet government launched an official attack against Dmitri Shostakovich's music, calling it "vulgar, formalistic, [and] neurotic." He became an example to other Soviet co...
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Gustav Mahler - Symphony No. 10 "Adagio" | Vienna Philharmonic, Leonard Bernstein [HD]
Переглядів 453 тис.9 років тому
Gustav Mahler - Adagio from Symphony No. 10 in F sharp major (incomplete), 1910 | Vienna Philharmonic, Leonard Bernstein. Movements 00:00 I Adagio Incomplete movements: Scherzo (sketches) Purgatorio (sketches) Scherzo (sketches) Finale (sketches) Other Recordings: Adagietto ua-cam.com/video/Bj6KLv7kv2Q/v-deo.html Mahler left a substantially complete first movement of his tenth symphony, marked ...
"O Freunde, nicht diese Töne" - Symphony No. 9, Ludwig van Beethoven | Herbert von Karajan
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Ludwig van Beethoven - Symphony No. 9 in D Minor "Choral" Op.125 "O Freunde, nicht diese Töne", "Ode to Joy" Herbert von Karajan, 1963. Complete IX Symphony, Nº 9 ua-cam.com/video/QfrAXZC7GKA/v-deo.html Gundula Janowitz, soprano; Waldemar Kmentt, tenor; Walter Berry, Baritone; Hilde Rossel-Majdan, contralto. Wiener Singverein, Reinhold Schmid, Choir Master. Herbert von Karajan, Berlin Philharmo...
Ludwig van Beethoven - Symphony No. 9 | Herbert von Karajan
Переглядів 562 тис.10 років тому
Ludwig van Beethoven - Symphony No. 9 in D Minor "Choral" Op.125, Herbert von Karajan, 1963. Gundula Janowitz, soprano; Waldemar Kmentt, tenor; Walter Berry, Baritone; Hilde Rossel-Majdan, contralto. Wiener Singverein, Reinhold Schmid, Choir Master. Herbert von Karajan, Berlin Philharmonic Orchestra. Recorded: Berlin, Jesus-Christus-Kirche, October & November, 1962 Deutsche Grammophon Gesellsch...
Richard Strauss - Ein Heldenleben (A Hero's Life), Tone Poem | Staatskapelle Dresden, Rudolf Kempe
Переглядів 12 тис.10 років тому
Richard Strauss - Ein Heldenleben (A Hero's Life), Tone Poem for Orchestra, Op. 40 (TrV 190) - VI.The Hero's withdrawal from the World (Des Helden Wetflucht und Vollendung. Entsagung), 1897-98 Staatskapelle Dresden, Rudolf Kempe. III.1972 (1988 Digital Remaster) EMI Icons - Emi Classics. Warner Classics. Parts/Movements: 1. Der Held (The hero) 2. Des Helden Widersacher (The hero's adversaries) ...
19:19 the best cord I've ever heard
The last bars of the 4th movement are powerful!
Boggles the mind that this survey of piano technique was written during Chopin’s late teens and early twenties by a musician whose only teachers were a violinist and a composer (though one steeped in Bach). More miraculous, as Arrau shows, the etudes are far more about music than technique. Arrau greatly admired Cortot’s Chopin and the Chilean like the Swiss-Frenchman was steeped in German romanticism, but Arrau also relishes the classical grounding of Chopin. If you like this try Arrau’s often disparaged early ‘50s Chopin project, left unfinished due to poor sales. I love it.
Οηχος ειναι συγκλονιστικος για αυτο λοιπον δεν μας προσφερετε ολο τον κυκλο των συμφωνιων να ευχαριστηθουμε επιτελους Μπετοβεν και Καραγιαν ? Πολυ σας παρακαλω καντε το για μας τους λατρεις της κλασικης μουσικης.❤❤❤❤❤❤❤❤❤❤❤❤
..and again ...and again...and again its soooo good. Everytime i listn to it,.it is amazing. Thank you
18:12
Estupenda versión del concierto pero hay un fallo no decís quien la violinlsta
Just a small piece of the almost sketchy introduction, or almost small plans of main parts of Symphony No. 10, but what a greatness and genius of this music, and for the entire symphonic work of Gustav Mahler. If the symphony had been completely finished, I have no doubt that Bernstein would have taken its partitura with him to a better place. Masterpiece.
Nicht diese Töne..it seems to me that since then the war has spread even more. I wonder what Ludwig would say now...
She is a Queen , Please come in Brussels
Quiza el menos famoso de los pianistas mas formidables del siglo XIX? Sí. Pero él junto a otro grupo pequeño de nombre, está en mi capilla personal de la definición de artista integral. Una luz que sigue alumbrando.
I can't help but read all the comments in Andre Braugher s Voice.
Fecha Marzo 1924. Yucatan.
Lovely.
The best of music
Que musica mas extraordinaria, refleja el espiritu de Mahler, un adelantado en la forma y armonia. Sublime ,mejestuosa orquestacion , todas las emociones se expresan en este movimiento.
No it was shoot space
IMPRESSIONANTE!! Stupenda Musica, gigantesco Direttore!! Una cosa sola!!! EMOZIONANTE, COMMMOVENTE, INTRIGANTE.... UNICO!!!
Is this Deutsch-Austria way of playing? This is so classy
do not forget the Bruckner Adagios! The best music in the world.
Her phrasing, counterpoint, you hear the choir and the organ in her playing. Her chords differ from a strum like a lute to long held chords that sound like an Organ.
Barbra Streisand's favorite piece of classical music #BarbraStreisand #Maestro #MyNameIsBarbra
Em Algum Lugar do Passado
Alguien mas aqui de ifrando el código?
I’m directing this at the UA-cam flunky who played advertisement in the middle of this movement. you P O S
0:31 is perfection
0:45 beginning 2:04 theme 3:24 whimsical dissonance 5:20 return to theme 6:18 powerful theme 7:18 aggressively dissonant chord and theme 7:55 sneak peek 8:22 return to whimsical dissonance 10:00 riff on whimsical dissonance 10:30 somber 11:20 development of whimsical tune 12:50 whimsical climax 13:13 transition to theme 14:10 new kind of theme chord 14:38 corrupted whimsical dissonance 15:28 even more whimsical 16:15 minor theme 16:46 corrupted theme 17:12 triumph theme 17:26 foreboding 18:20 holy shit 18:50 whimsical and theme 19:02 HOLYSHIT 19:46 alls well that ends well? 21:36 epilogue
HOLYSHIT indeed!! :-D They call it the "Katastrophenakkord", the catastrophe chord. And it is wonderful..
18 years old.
This is probably in my top five Mahler movements.
Какой ансамбль солист , дирижёр и оркестр , боже мой!!!!
In all the years I've been watching symphony concerts, I've never seen the violas to the right of the conductor until now. it could be because they are so prominent in this work.
20:36
This was filmed in the Vienna Konzerthaus in October 1974 (the second part of the program had Mahler's First Symphony); the Bernstein/VPO series was usually done at the Singverein.
Paavo Järvi conducts, Janine Jansen plays the violin & it's the "Orchestre de Paris". Where - no idea but mentioning Paris is nice. 😁
SUBLIME.
12:40 18:22 19:13
I trust we are listening to the piece close enough to the composer’s best wishes?
After all, Mahler was dead when the world knew of this piece’s existence. Experts were left to put it together. It’s an interesting story.
It would be necessary to lock up such people as it is Hillary. Well, she is the only one. How can she play with such perfection? The answer is, that is impossible. And anyhow she plays like this. Impossibly perfectly. So one must close her.
I’ve been playing this while I work and I’m sharper, more on point, clearer, more relaxed and completely more focused! Leave my job feeling like 8 hours is three, and I’m happy! Kudos, you bringing out the best in me. I’m in quality control.
Amazing!!! No words can truly give this credit!
Magnifique ❤
No se pueden poner otros nombres
Es dulce en la manera de apesgar las teclas. ❤😅
Claudio Arrau. ❤️
Hilary is the best.
The nice slow tempi on the Nouvelle brings out their beauty.
말러의괴로운사랑의종말이맹근명작
Shakespeare maybe, can touch the hem of Hilary Hahn's dress without giving offense.
Prof de musque
10:22